Friday, 31 December 2010
Creative Process Pt.2
Here are 2 print screens taken during the video editing process of the animatic. In the first shot, I am adjusting the colour balance to make the picture green, as it is to represent how the lights on the Xbox will glow green in the final video.
The other picture shows how I used markers to show where the beats were in the song, as it makes cutting clips to fit better alot easier.
Friday, 17 December 2010
Finished Digipak and Advert
Here is my finished Digipak and accompanying Advert for "A Faylene Sky"'s faux album release.
Thursday, 16 December 2010
More Locations for our Music Video
Wednesday, 15 December 2010
The Creative Process pt1
Tuesday, 14 December 2010
Photo Shoot for Digipak
Actors in Costume
Friday, 10 December 2010
Thursday, 9 December 2010
Tuesday, 7 December 2010
Digipak- Shot List
- Bear attacking the band members
- Bear Chasing the band members
- Hand in blood on the floor
- Woodland area/empty room
- Band group shot
- Close up of bear face and tee
- Shot of Bear actor holding mask and smiling
Digipak- Blood Effect on Photoshop
Monday, 6 December 2010
Digipak Cover- Ideas/Possible Costumes
Sunday, 5 December 2010
Logo for Digipak
Friday, 3 December 2010
Digital Technology
Thursday, 2 December 2010
Digipak Ideas
After finding a template on Google, I then began to look for inspiration in existing digipaks, specifically the way each panel is used, and how they differentiate how normal CD cases.
Practise Shoot
Monday, 29 November 2010
My Targets for Improving with Digital Technology
- Practise in Adobe After Effects. Learning the basics such as the timeline, and the differences between other video editing software.
- I also want to experiment more with the multitude of effects and renders in Photoshop, as I feel I know very little about bar the basics.
- Practising and trying out the different manual effects a digital video camera can do is my third target, as previously, I have just used the automatic settings.
Friday, 26 November 2010
Creativity Pt.3
Thursday, 25 November 2010
Creativity Pt.2
In an attempt to expand my creativity, I started making an animatic using hand drawn images and sequencing them in roughly the same way we intend to shoot our final video.
Tuesday, 23 November 2010
Creativity
Monday, 15 November 2010
Time Plan
This is a time plan for the weeks up until Christmas, I can add to this plan over the weeks to help me plan my time effectively.
Thursday, 11 November 2010
Our Pitch
- Mixed Responses
- Majority of feedback found it suitable
- people seemed to find our idea unoriginal and with large amounts of redundancy, which to an extent it was
- we need to come up with something slightly more entropic and original for our final video
- people found our logistics well thought through
- our feedback told us that our idea is achievable
- people found our concepts realistic achievable and within budget
- our ideas were found as simple and fairly unexciting
- other comments; achievable, in budget, needs more, bit more planning ideas
- recreate our video as more creative and exciting
- maintain the good aspects of our ideas while improving them
Friday, 15 October 2010
History of Digipaks
Digipaks are becoming the more environmentally friendly alternate to CDs, while still using traditional means, as in not compared to downloads. By using recycled card, as opposed to the plastic in CD cases, they have grown in popularity since the early 2000's.
Audience Recognition
I will make sure my audience can easily recognise the genre by sticking to current genre conventions. Within the metal/rock genre, these conventions generally are having the band look aggressive or powerful, use of black as a background, the image of the actual band, such as instruments, long hair etc.
Friday, 8 October 2010
Music Video Theorists
Andrew Goodwin’s theory deconstructs how music video are created and given meaning. He has created a list of characteristics that separate Music Video from other media types, such as film or TV. The main point is the relationship between the music and lyrics, and the visual content of the video. The content can then fit into one of three categories. It can illustrate, amplify, or contradict the lyrics/music.
Another aspect is how each music genre usually entails different conventions for its video, as to better suit the music. However, he has said that most music videos generally include lots of close ups of the artist/band, as the record label use the artists/bands image as a way of selling their persona.
The treatment of females within music videos still projects them as objects of desire, even within music videos by female artists.
His final point is the existence of intertextual references within music videos are used to provide extra pleasure for the viewers. These references can be from a wide range of sources, such as movies, TV, popular culture, or even other music videos.
Sven E CarlssonHe has developed a way of categorizing performers within music videos into 3 different classifications. However, some music videos can cross over into more than one grouping.
The first group is called the "Commercial Exhibitionist". This aspect focuses on the performer attempting to sell them self, which includes their song, personality, lifestyle, morals within the song. It uses their persona as a way of pulling an audience in.
The second category is the "Televised Bard". It is essentially akin to an old fashioned bard, only telling a story though not only song, but the music video aswell. There are several variations on this, as sometimes, the artist merely sings the story, while in other examples, and the artist (or even the entire band) is projected into the story.
The final grouping is the "Electronic Shaman". Primarily, the focus is on the artist’s voice and music, which then combined with the music video, produces a meaning. The sound and content of the video are connected to strengthen the message within the song. The individual meanings of the music and lyrics, aswell as the video are juxtaposed to give a new meaning.
http://www.scribd.com/doc/21443985/Andrew-Goodwin-and-Laura-Mulvey-Music-Video-Feature-Notes
http://filmsound.org/what_is_music_video/
Although examples are lacking here, I will use this information in my analysis of music videos in other blog posts.
History Of Music Videos
Presentation made by me based off this source:
http://www.articlesbase.com/art-and-entertainment-articles/what-is-the-history-behind-music-videos-1318869.html
Friday, 1 October 2010
Representation of Lead Singers
Here is a video made by me to help show how lead singers are presented as the main band member, which will have to follow into my video.
Extra Analysis:
Video 1:
This video uses contradicting imagery, as the song is about a “hero” appearing a saving the day, which the video features just the band playing, along with obscure images such as those in the beginning. The video also conforms to Andrew Goodwin’s theory by using multiple close ups of the lead singer, who is usually considered the main artist within the band.
While it’s difficult to suggest the imagery seen at 0:15 is an exact reference to something, the faceless nature of people wearing suits is a common one, seen in films such as the Matrix.
When applying Sven E Carlsson’s theory to this video, it mainly comes under the “Commercial Exhibitionist” grouping, as the majority of the video features the lead vocalist singing. The weirder features of the video fit into the “Electronic Shaman” category. The “suits”, for lack of a better name, are used in the video as a source of antagonism.
Video 2:According to Andrew Goodwin’s theory, the music video would be amplifying the song content. Although rather abstract, it fits the mood and theme of the song. The video also adds a more mystical, or creepy element to the song. Again, close ups are featured predominantly through the video, as is the norm for musicians.
Aspects of the video show the band as another example of “Commercial Exhibitionists” due to the high amount of coverage the band receive throughout the video. However, the other shots lend the video aspects of a “televised Bard”, as they show a narrative, despite a very thin one.
Video 3:
The video is contradictive to the lyrics, as the song is not about sumo wrestling. However, the movements of the sumo at the start show the video is illustrative of the music accompanying the lyrics. It shows it may have been chosen as to sync up with the song, and provide a more memorable video. As with the other videos, it features a plentiful amount of close ups of the lead.
The video fits mostly with the “Commercial Exhibitionist” line of thought, as it focuses mainly on the lead singer. As the song can be interpreted as being about drugs, the sumo’s serve to create a crazier world, visually, which suits the morals of the song. The video features very little in terms of narrative, and the imagery doesn’t attempt to produce much of a meaning either.